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19 作曲家Richard Strauss “「強弱法による多声音楽(ポリフォニー)」
強弱法による多声音楽 第1章

20 作曲家Richard Strauss “「強弱法による多声音楽(ポリフォニー)」
強弱法による多声音楽 第2章

21 作曲家Richard Strauss “「強弱法による多声音楽(ポリフォニー)」
強弱法による多声音楽 第3章

22 作Frank Bridge “Dynamic Polyphony VI”
from “The Sea” suite for orchestra (1911) 

Pure Psychic Automatism

23 Luciano Berio “Visioni II”
from the opera Outis (1996)

24 Luciano Berio “Visioni III”
from the opera Outis (1996) 

25 Luciano Berio “Visioni IV”
from the opera Outis (1996)

26 Luciano Berio “Visioni VIII”
from the opera Outis (1996) 

27 Kurt Atterberg “Composizione I”
from cello concerto op.21 (1922)

28 Kurt Atterberg “Composizione II”
from cello concerto op.21 (1922)

29 Kurt Atterberg “Composizione III”
from cello concerto op.21 (1922)

30 Kurt Atterberg “Composizione IV”
from cello concerto op.21 (1922)
III Movimento

31 Gosta Nystroem “Composizione I”
from symphony n.5 “Sinfonia Seria” (1962) 

32 Gosta Nystroem “Composizione II”
from symphony n.5 “Sinfonia Seria” (1962) 

Pure Psychic Automatism
Studies on the rhythmical nature of aggregation of forms (Metronome)

33 Op.1 – ¾: ᖱ = 66 (2016)

34 Op.2 – ¼: ᖱ = 76 (2016) 

35 Op.4 – 4/4: ᖱ = 108 (2016)

36 Op.5 – 2/4: ᖱ = 48 (2016)

37 Op.6 – 3/8: ♪. = 84 (2017)

38 Op.7 – 2/4: ᖱ = 40 (2017)

39 Op.10 – 4/4: ᖱ = 58 (2017)

40 Op.11 – 2/4: ᖱ = 76 (2017)